A study of the human form in motion captures the physical imprint left by the body as it moves through space. The work emphasizes gesture, weight, and spatial tension, translating ephemeral movement into a lasting physical structure. Through abstraction and layered form, it examines intersections of human figures.

An expression of life's invisible architecture, the quiet, intricate dance of genetic forces: shaping, connecting, and defining every living being in ways beyond our perception.

Perception and duality unfold in a stark juxtaposition of color and image, challenging the boundaries between abstraction and representation. A dialogue emerges between presence and illusion, surface and depth, inviting quiet reflection on how we see, interpret, and construct meaning.

Klecksography presents a series of abstract images created through folding techniques. Imaginative interpretations emerge during this creative endeavor, resulting in imperfect yet intriguing mirrored compositions. This interplay between representation and abstraction fosters an engaging dialogue between observer and artwork.

‍

‍

‍

The digital Kleksography Series combines contemporary digital collage techniques with the abstract patterns of klecksography. Using a mix of photographic, digitally generated, and folded imagery, each piece presents symmetrical, imperfect compositions that explore the boundary between abstraction and representation. This series highlights the intersection of traditional folding methods and modern digital tools, offering a fresh perspective on the evolution of visual storytelling.

‍

View explores perception and duality, drawing attention to the act of seeing and not seeing. The work invites quiet reflection on the relationship between presence and absence, background and expectation, depth and knowledge in a dialogue about perspective and awareness.

The digital Kleksography Series combines contemporary digital collage techniques with the abstract patterns of klecksography. Using a mix of photographic, digitally generated, and folded imagery, each piece presents symmetrical, imperfect compositions that explore the boundary between abstraction and representation. This series highlights the intersection of traditional folding methods and modern digital tools, offering a fresh perspective on the evolution of visual storytelling.

Diffuisons is a series axially symmetrical composition placing sanded glass stones, arranged in identical patterns on both sides of the work. These pieces evoke the imagery of a starry sky, with tiny, shimmering points of light that fade into a subtle gradient. It invites contemplation on duality and reflectivity, questioning the nature of perception: what is the original, and what is the reflection or depiction? The interplay of transparency, texture, and light encourages viewers to explore the tension between the tangible and the imagined, blurring the lines between reality and representation.

‍

Diffuisons is a series axially symmetrical composition placing sanded glass stones, arranged in identical patterns on both sides of the work. These pieces evoke the imagery of a starry sky, with tiny, shimmering points of light that fade into a subtle gradient. It invites contemplation on duality and reflectivity, questioning the nature of perception: what is the original, and what is the reflection or depiction? The interplay of transparency, texture, and light encourages viewers to explore the tension between the tangible and the imagined, blurring the lines between reality and representation.

‍

‍

Pointing III is a conceptual multi-piece relief consisting of 50 casts of pointing hands, each positioned to point straight forward, orthogonally to their extrusion surface. Each finger emerges where four surrounding panels converge, creating a point where they sprout from the colors that envelop them. The work is a study in variation and representation. No hand cast is repeated, and no color appears twice, emphasizing the uniqueness of each element.

‍