Violent Noise unfolds as a diptych, each panel measuring 150 cm by 200 cm, crafted with mixed media on canvas. The artwork navigates the tapestry of 20th-century painting styles, harmonizing abstraction with elements of realism across its dual canvases. The composition resonates with a dynamic dialogue between form and color, inviting contemplation into the complexities of artistic evolution. Each panel stands as a testament to the Jarsumbeck's command of diverse techniques, capturing the essence of a century marked by transformative aesthetic movements.
Violent Noise 
The Massacre reimagines the historic narrative of innocence and violence through a contemporary lens, emerging from the artist's explorations during the Binary Period. This monumental oil painting, spanning 300 cm by 300 cm, channels eclectic influences into a vibrant tableau of color and form. Evoking the tumultuous energy of its predecessor, The Massacre captivates with its dynamic composition and expressive palette. Rich hues intertwine with bold strokes, creating a visual symphony that challenges the viewer's perception of space and narrative. Through its sheer scale and intricate detailing, the artwork invites contemplation on the enduring themes of history and humanity.
The Massacre 
Bild & Abbild ist ein sich im Prozess befindendes Projekt, das als Herleitung und Reflexionsraum der eigenen künstlerischen Praxis fungiert. Im Zentrum steht die Untersuchung der Beziehung zwischen „Bildern“ und dern „Abbildern“ als untrennbare, zugleich spannungsreiche Zustände, die sich im Prozess des Wahrnehmens, Denkens und Darstellens gegenseitig bedingen. Das Projekt begreift sich nicht als abgeschlossene Theorie, sondern als offenes Gefäß fragmentarischer Gedanken. In Form essayistischer und poetischer Annäherungen wird eine Perspektive entwickelt, die das Banale und das Kuriose nicht trennt, sondern als gleichwertige Ausdrucksformen einer durchgängigen Wirklichkeit versteht.
Bild & Abbild 
An expression of life's invisible architecture, the quiet, intricate dance of genetic forces: shaping, connecting, and defining every living being in ways beyond our perception.
Chromosome I 
Perception and duality unfold in a stark juxtaposition of color and image, challenging the boundaries between abstraction and representation. A dialogue emerges between presence and illusion, surface and depth, inviting quiet reflection on how we see, interpret, and construct meaning.
Duality I 
An imprint of touch, caught mid-gesture. The details remain, even as parts fall away, holding a quiet record of presence and absence side by side.
Fragment I 
Continuing the exploration of the human form in motion, Arms III extends the study into a more conceptual dimension. It captures not only the physical trace of movement but also the intervals between gestures, the pauses and suspended energy that shape presence. Casted in a stonelike material, the work is envisioned to preserve these fleeting moments with a sense of permanence. Through layered abstraction, it transforms motion into structure, examining how the body’s weight and absence coexist within solid form.
Arms III 
Strive for the Unknown embodies the essential dynamics of the artistic process, seamlessly integrating manual, digital, and machine manufacturing techniques. It begins with meticulous manual preparation, progressing into digital realms where photogrammetry and deep learning generators optimize its form. Originating from a conceptual miniature, this composition evolves into a physical realization, revealing the intricate interplay among its elements and their evolving relationships. The relief represents a meticulous craft that captures the continuous metamorphosis inherent in creative expression.
Strive for the unknown